Screenplay Software

https://lifehacker.com/screenwriting-software-showdown-final-draft-vs-celtx-1792519226

A great article on FD vs Celtx...and I agree. If you're serious about screenwriting, FD is the way to go. If you're a beginner, or broke, or just curious, Celtx. If you progress in screenwriting, upgrade to FD.

Comments

Dealing with Rejection

Every writer gets rejected. It doesn't matter how many books you've written or how many you've sold. There's no way of getting around it. I remember an interview with Barbara Streisand, and she said if someone rejected her for a project, the onus was on the producers for failing to recognize her talent and ability. Paraphrasing, “What, are they nuts?” I like that. Editors and producers don’t know what they want until they see it. It’s kind of like pornography as defined by Supreme Court Justice Potter Stewart, “I know it when you see it.” Gatekeepers don’t know what they want until they see it. However, that doesn’t soften the sting of rejection. Dealing with rejection is a difficult skill, but it is essential. Everyone experiences rejection at some point, whether in the form of a job application not being accepted, a romantic interest was not reciprocating feelings, or a friend group excluding someone. While rejection can be painful, it is essential to remember

Accessing Flow

There was a time that I had to play loud music when I wrote but now accessing the trance-like state is easier. I don't need the music now and instead like my writing room to be quiet. A favorite book on the subject is Flow: The Psychology of Optimal Experience by Mihaly Csikszentmihalyi . This study explains how artists find a way to inhabit their work, allowing the most effective and affecting art they can produce.

Meanwhile

Writing your novel can feel nearly impossible, but many techniques can help keep your readers engaged. One such method is using parallel stories, which writers can use to create tension and suspense. An effective way to do this is to end your scenes so that you cut between them at moments that leave your readers hanging. Writers sometimes call this technique “Meanwhile, back at the ranch.” The nickname dates back to silent movies when title cards between scenes signaled transitions. In the earliest days, studios didn’t make new cards for each movie but used a set of stock cards: “One Year Later,” “Comes the Dawn,” or “Wedding Bells.” “Meanwhile, Back at the Ranch” was the card used most often when the action, for example, cut away from the heroine being tied to a log just as the villain turned on the sawmill. The literary version of this technique dates back to at least Homer. Still, it was probably perfected in the nineteenth century when newly popular magazines serialized novels.

randy obrien

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